Tiona Nekkia McClodden: Play Me Home [2010 - 2023] , a poignant, genre-defying installation that features a four-channel video, sculptural objects, and a feature-length screenplay. McClodden’s interdisciplinary practice weaves together personal and communal contours of biography and myth-making. Play Me Home is the result of a three-year journey of research and creation during which the artist examined her own family history and funerary traditions in the South. Commissioned for the Prospect 5 Triennial, the work beautifully captures McClodden’s distinct approach and was recently acquired by the BMA as part of the museum’s effort to expand its canon of American art and time-based media. The presentation of Play Me Home also amplifies the BMA’s recent reinstallation of its contemporary art galleries, which emphasizes how artists observe, understand, and engage with the world around them. The installation will remain on view through May 12, 2024.
Play Me Home embraces fictional and non-fictional narratives, documentary form, and sculpture to express several distinct but related threads of experience. One channel—a focal point in the installation—features a filmic portrait of the commonly named four o’clock flower, which is known for its ability to propagate and thrive in hostile environments. Growing wild throughout the Delta region, on the same lands where the artist’s family settled as some of the earliest Black sharecroppers and where they still own farmland, the exploration of the flower in Play Me Home offers a lens through which to consider the relationships between Black communities and land.
An adjacent gallery includes three additional nonlinear channels, capturing scenic views of McClodden’s family lands and the artist burying and planting the same dying four o’clock flower in the Lower Ninth Ward. The final channel offers closely cropped footage of the artist interviewing family members and moving through county archives in Mississippi and Louisiana. The installation also includes sculptural objects such as trumpets and four o’clock flower seeds, as well as a closed leather-bound, feature-length narrative screenplay for Play Me Home. The text—in progress for over a decade and the starting point for this installation—traces the story of Genie, an aging former female jazz musician, who aspires to travel back to New Orleans for her own homegoing and second-line celebration. The work’s title references a reckoning with mourning and grief, alluding to Black musical funerary traditions and honoring lesser-acknowledged sites and notions of home for Black people in the United States.
Tiona Nekkia McClodden: Play Me Home is curated by Jessica Bell Brown, BMA Curator and Department Head of Contemporary Art.
